Review
CRYSTAL PALACE BAND CENTENARY CONCERT:
27 OCTOBER 2001
On 24 January 1901,
just two days after the death of Queen Victoria, the newly formed
Upper Norwood Temperance Band received a full set of Besson Class
A instruments and a week later held its first rehearsal. On Saturday
27 October 2001, at the Ravensbourne School in Bromley, the Crystal
Palace Band (renamed in 1924) celebrated its 100th anniversary
to a near-capacity audience.
The concert began with
lights dimmed and the plaintive voice of an unannounced cornet somewhere
offstage. 2001: A Space Odyssey – a very effective curtain
raiser -had got the evening underway.
The band continued
with two tributes to the film Brassed Off - the rousing
Death or Glory followed by the haunting En Aranjuez con
tu amor, flugel and tenor horns combining effectively in the
main theme. Two up-tempo numbers followed: Singing in the Rain,
arranged by the excellent Alan Fernie bringing out the warm sounds
of the euphoniums and baritones; and Bolivar, featuring the assured trombone playing of Duncan Wilson, the evening’s first guest soloist. A second Fernie number, Be A Clown (featuring 11
year-old David Maher on specialist percussion) was preceded by the
beautiful hymn Précy St Martin, written by David Swales, a former
cornet player with the band whose untimely death in 2000, and the
events in New York, this moving rendition commemorated.
The first half was
topped off by Vaughan Williams’s Henry V. This was a terrific
performance. We imagined the raising of the battlements (the opening
fanfares, with William Spencer on terrific form on piccolo trumpet);
the unnatural calm between battles (James Lynch’s lyrical soprano);
the battle’s recommencement (horns and euphonium taking the main
theme, with a rhythmic and sustained base accompaniment); and, finally,
a stately pavane heralding the new dawn.
The second half opened
with a rousing performance of William Walton’s prelude, The Spitfire.
Then came the evening’s piéce de resistance: Rhapsody in Blue,
scored for brass band and featuring on piano, Karl Lutchmayer, an
occasional back-row cornet player with the band, but much better
known as an international concert pianist. Throughout, Karl’s technical
proficiency was breathtaking, but always allied to an assured control
over dynamics and an instinctive feel for the sheer romanticism
of the music.
The effervescence of
Jerry Herman’s Mack and Mabel was followed by Duncan Wilson’s
beguiling trombone sound in Can’t Take my Eyes Off You. Then,
in an extra item to commemorate Dr Denis Wright’s conductership
of the band beginning in the 1930s, Duncan played the beautiful
trombone solo Elaine, the second movement of Dr Wright’s
suite, Tintagel.
As we came towards
the close, the celebratory nature of the occasion began to shine
though. Clog Dance completed the trio of works from Brassed
Off and Meet the Band, written by Mike Gray, showcased,
in turn, the cornets (in particular, the virtuosity of the band’s
principal cornet, Stuart Jenkins); the horns, baritones and euphoniums;
the splendid trombones (all six of ‘em!) and basses; and, not least
the three percussionists. At this point, presentations were made
to Mike Gray, in recognition of his 14 years as MD; to St Christopher’s
Hospice (a cheque for £1,000 and a retiring collection, which added
up to a grand total of £1,700); and embroidered band pennants to
the guest soloists, who then joined the band for their final items.
On with the music now
and Palatians, the band's signature march, penned by Steve
Walkley (ex-CPB trombonist) featuring "Maybe its because I’m
a Londoner" and some dazzling cornet work by Stuart Jenkins
and James Lynch. That was (supposed to be) that, according to the
programme. But the audience wanted more and the old favourite, Hootenanny,
was wheeled out in response. They loved it and got a second encore,
Ticket to Ride. All in all, a terrific concert, professionally
MC’d by Christopher Town and conducted with great aplomb by Mike
Gray.
Phil Alker
October 2001
|